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Breastfeeding and the Voice
By Kate Emerich, B.M., M.S., CCC-SLP
Voice Pathologist/Vocologist, Singing Voice Specialist
Gould Voice Center
Editor's note: OperaMom is deeply grateful to Ms. Emerich for her willingness to assist singers by contributing this information.
After delivering your baby, you may have the option of breastfeeding. As a singer, there are a few hormonal changes stimulated by breastfeeding that you should know about.
While you are breastfeeding, your body still considers itself pregnant by the hormonal changes that take place. Following childbirth, large amounts of the hormone prolactin, responsible for stimulating the production of breast milk, are produced in the mother. In addition, prolactin interferes in the action of the follicle stimulating hormone (FSH) and the luteinising hormone (LH). The prolactin interference of the action between FSH and LH ultimately reduces the amount of estrogen you produce (acting as a natural contraceptive as long as breastfeeding is fulltime, the baby is less than 6-months old, and menstruation has not returned!)1

Just as in your regular monthly menstrual cycle, changes to your voice are more likely to occur during a drop in estrogen. Voice changes typical to this low estrogen level include voice breaks, difficulty with smooth register transitions, breathiness, weakness, an inability to phonate on certain pitches, a lack of flexibility or inability to sing certain scales and/or arpeggios quickly and easily; and an inability to adequately support tones. Just as some women prefer not to perform extensively during the pre-menstrual phase of their cycle, they may want to consider being conservative with performing while breast feeding. The hormone-related changes will disappear after breastfeeding ceases.2

Not all women experience voice changes during their regular menstrual cycle and may not experience these changes while breastfeeding. However, if you do notice your voice is markedly different during the pre-menstrual period, you are probably most likely to experience voice changes during breastfeeding.

There are many positive reasons to breastfeed. The natural bonding that takes place between mother and child, the nutritional and protective devices for the child’s health and immune responses, and reduced stress levels in the mother through the increase in the hormone oxytocin (actually lowers blood pressure) can reduce anxiety.3

The other consideration regarding singing professionally and breastfeeding is your performance schedule. Does your schedule allow for breastfeeding? Can you bring your child with you? Can you pump enough ahead of time to have someone else feed the child? Weigh the pros and cons and choose what’s better for you and your child.

Click here for "Pregnancy and the Voice"

Click here for "The Pill and the Voice"

References

  1. Web article “NFPS-50 Breast-Feeding” Renfrew, M; Fisher, C; and Arms, S. "Breastfeeding”, Celestial Arts, 1990.
  2. Sataloff RT, Emerich KA, Hoover CA. “Endocrine dysfunction” In: Sataloff, RT ed. Professional Voice: The Science and Art of Clinical Care, Singular Publishing Group, Inc., 1997, pp.293-295.
  3. Web article “APS MEETING: Breast-Feeding Hormone Lowers Nursing Mom’s Blood Pressure, Consulting Group Inc. Copyright© 1999.
Kate Emerich, B.M., M.S., CCC-SLP Voice Pathologist and Singing Voice Specialist at the Wilbur James Gould Voice Center, a Division of the Denver Center for the Performing Arts and site for the National Center for Voice and Speech, has worked extensively with healthy and injured voices, specializing in the care of the injured speaking and singing voice. She completed a degree in vocal performance before completing her master's degree in communicative disorders at the University of Wisconsin-Madison, and continues to sing professionally. She spent l993-l998 working with Drs. Robert T. Sataloff, Joseph R. Spiegel, and Karen M. Lyons in Philadelphia in a private practice specializing in care of the professional voice. Kate has published numerous articles regarding voice and singing voice issues and lectures frequently to young singers on the care of the voice and prevention of voice problems. She is an internationally recognized clinician in the area of voice disorders.
This article is used with permission of the author, and may not be copied or distributed in any other medium or fashion without permission. All rights reserved. Inclusion of links and contact information does not imply endorsement of the contents.

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